These are the Top 17 most common music mixing mistakes I see daily. Correcting them could will improve your audio mastering results and make your mixes sound more professional.

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I've mastered over 40,000 songs, and these are the problems I see most often.I'm not going to get into advanced mixing techniques in this article, but I will mention a few basic solutions for the most common music mixing mistakes I see daily (in no specific order), which will ultimately make your mix sound more professional.

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I want your music to sound the very best it can. And if you follow these tips they will greatly improve your audio mastering results. And hopefully, you'll use me at JR MASTERING when you're ready to master your CD project!

#1 WRONG FILE TYPE!

What To Submit - .WAV File - 44.1 or 48khz / 16-32bit (preferably 24bit) OR .Aiff file

No one wants (or needs) to work with a HUGE 1GB 96khz file! Don't send your mastering engineer a 10GB album! It's overkill since CDs are 44.1khz, and mp3s are even lower quality. One exception - You're working with mastering for itunes. Read more....

If your songs are going to be mastered, NOTHING should be on your stereo/ main out. No limiter, no loudness maximizer, no EQ, no spectral enhancer. This is my job in the audio mastering process. I set everything where it needs to be based on your style of music. Then you tell me if you feel it needs a little more a less of something, and I'll adjust as necessary.

I don't need you to partially master the song for me. Most of the time when a client tries to do this, they go way over on several sonic qualities, and I cannot correct their mistakes. Read more....

#3 The Songs Peak Too High, Are Distorted Or They Have No Dynamic Range

#4 Mix Needs To Sound Fuller, Mix Sounds Too Thin

There are four thing that make a mix sound fuller.

A. The LOW bass and UPPER-MIDS must have the proper thickness/boominess.

B. The vocal and instrumentation amounts have to be sufficient. For example, four guitars or vocal tracks sound much thicker than two.

C. Don't roll of too much bass from your mid-frequency tracks. I get in a lot of songs where the lead vocal and lead guitars (or synths) are all high bass filtered around 500hz which leaves you with a thin tinny sound. This is very difficult to correct in audio mastering. Yes, some tracks do need to be high pass filtered around 200-300hz, but make sure you're not removing too much bass and left with a thin tinny sound.

D. You tracks are properly panned across the stereo spectrum. If you have 4 guitars all panned dead center, it's going to sound like you have ONE loud mono guitar, which is not a full thick guitar sound. Read more....

#5 Bass Too Loud In Mix, Mix Sounds Muddy Or Too Boomy

35% of the hip hop songs I get in are very bass heavy, they go over 0 level, have no dynamic range, and are usually distorted too. The big bass you're looking for is added in the mastering process, along with a boost in overall song volume level. There's no need to make your bass super loud during mixing.

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Mixes that sound dull are actually good for mastering! Listen to the BEFORE mix samples on my before and after samples page. Notice how the mixes are either average brightness and bass, or dull (slightly muffled). This type of mix allows me to put it where it should be.

As a mastering engineer, it's easy to make a dull song brighter and a set it exactly right where it should be. But a super bright song that requires a big EQ cut, many times will leave you with a flat lifeless master that has no sparkle. Read more....

#6 Mix Sounds Bad In A Car, Weak Stereo Field
The car is the ultimate judge of the stereo field. If you didn't do a good job with it, your song will sound like its a foot wide, playing right above the stereo, no a full wide sound that blasts out from the left door all the way across to the right door.

Most amateur mixing engineers think stereo reverb is the solution to a mix with a weak stereo field. WRONG! If you pan everything centrally, and then put stereo reverb on it, all you'll have is a weak reverb echo on the outside of the stereo while the meat of the song is all up the middle.

Yes, you can use delays that bounce to the outsides, the Haas effect is great to, BUT the simple rule I learned many years ago and follow is this.

If you want to be able to hear something on the outsides of the stereo field, YOU HAVE TO HAVE SOMETHING PANNED THERE!! For example, if you have two different guitars (or Hass effected) panned L80 and R80, they will play out of the doors and create a nice stereo. If you have one or two guitars panned at 20L and/or 20R, it will sound like its right above the radio.

But sometimes guitars aren't playing. Well, put some background vocals panned L/R, a few hi hat hits can go in there, a light violin or synth pad might work.

I get songs in where the guitars are nice stereo, then when they go off, its a mono song 12 inches wide. As long as something is playing on the outside of the stereo field, you'll have a nice wide sound in the car. So make sure there's always something coming in and out.

NOTE - I almost always go L80 - R80 and higher. Why? A LOT of people use headphones and you have to be careful when you pan full hard L or R. Especially when it's just one side where the track really stands out. You can blow someones ear out if it's too loud. If you do pan hard L or R, realize you might be able to make the volume of the track(s) lower than normal because of this. Listen closely to your mix and just make sure these hard panned tracks aren't too loud. Read more....

#7 Mix Sounds Too Harsh, Very Bright Mix Or Tinny Mix

Roughly 25% of the mixes I get in, the client cranks up the high-end EQ or overuses a spectral enhancer, thinking they're getting that clear professional radio quality sound. This mix will never make a great master because it's already much brighter than it needs to be.

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I'm not saying you shouldn't EQ your mixes at all, just remember a slightly dull mix can be turned into a great master, but an overly bright one can't.

When I have to cut a lot of high-end EQ, the song loses its sparkle and clarity. It also prevents me from using frequency phase correcting tools. I'm not saying you shouldn't EQ your mixes at all, just remember a slightly dull mix can be turned into a great master, but an overly bright one can't.

Listen to your mix. If you think your mix is too bright, it probably is. Read more....

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